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"Snug Harbor"
by Jill Kirchner Simpson
Country Living,
October 2007
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Left: Richard
added a pantry bar
off the kitchen; a
wine cooler is
hidden in the
cupboard with the
old wooden door.
Right: The exterior
was reclad in cedar
shingles with a
clapboard front and
landscaped with
boxwoods. |
Sag Harbor is a small village on
the bay on Long Island
characterized by charming
historic houses that date from
the early to mid-1800s, when it
was a thriving whaling port.
These days, Sag Harbor's main
business is tourism, but its
centuries-old houses are still
appreciated and preserved by its
summer and year-round residents
alike.
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One of three
compact but inviting
guest rooms. |
Seven years ago, Richard
Ferrari, a real estate agent
in New York City, bought a
tiny, early 1800s house that
his friend
Bob Tortora had
renovated. When a larger
house of similar vintage
across the street came on
the market three years
later, Richard traded up,
and
Bob again renovated the
house, preserving as much of
the original architecture as
possible, including the
pumpkin pine floors, handblown glass windows,
ceiling beams (uncovered
beneath Sheetrock), and
fireplace mantels. "The
beauty of the floors and
beams are 200 years' worth
of nicks and crannies,
warping, weathering, and
nail holes. They look
beautiful just as they are,"
says Richard. He and
Bob
updated the kitchen and
baths with timeless
materials, such as mahogany
countertops, beadboard
walls, and in the baths,
subway tile and marble. They
opened up the kitchen to a
new family room addition
with a sloping 11-foot
ceiling, and Richard opted
to add a few modern
amenities such as
air-conditioning and a pool.
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The buttercream-colored
living room in
Afterglow
11-0510 TPX by
Pantone, boasts
original windows and
an early fireplace
mantel that was
painted black. |
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When it came time to choose
paint colors for the house,
Richard asked his neighbor,
Steven Gambrel, a noted
interior designer in New
York City, for a favor. "I
told him I wanted a yellow
living room, a red dining
room, and a blue kitchen.
Steven rattled off paint
numbers for each of them,"
says Richard, "and they all
turned out perfectly.”
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